![]() Tickets may be purchased at uu.edu/theatre or by calling the box office at (731) 661-5105. Only credit cards are available for ticket purchases, and tickets are $7 for general admission and $5 for Union students, faculty and staff. The double-casted production will run from March 10-15 in the W.D. This musical (based on The Count of Monte Cristo by Alexandre Dumas) is, in my opinion, very underrated and way too unknown for it being so very great. “The Count of Monte Cristo” includes a haze machine and loud sound effects to audience members who might be sensitive. “They have a passion for this story, and it really comes out in their work ethic and commitment to playing these characters.” “I’ve never seen a cast that has bonded so quickly and has supported one another with so much love for this piece,” Klonowski said. Starting rehearsals over Zoom in January, Klonowski said she is extremely proud of the production’s stellar cast, who have worked diligently in the play’s shortened rehearsal time. “My desire is that people walk away realizing that there is hope beyond what did, and you find that hope in Jesus.” “I hope sees how Edmond’s path, in taking matters into his own hands, caused so much hurt and harm,” Klonowski said. Kristin Klonowski, the production’s director and adjunct instructor of theater at Union, said she wants the audience to walk away remembering the hope that is found in Jesus Christ, following his will rather than one’s own. With unexpected twists and shocking subplots, “The Count of Monte Cristo” is an action-packed story of what happens when humans seek personal retribution. ![]() Upon his escape, Edmond seeks vengeance on his accusers, convinced of divine providence in his quest for revenge. Walsh, “The Count of Monte Cristo” tells the story of Edmond Dantes, a young man who has been falsely accused of betraying his nation and imprisoned for 14 years. MaThe Union University Players will present a special performance of “The Count of Monte Cristo” March 10-15 featuring Union students, staff and alumni in a tale of revenge, hope and providence.īased on a novel by Alexandre Dumas and adaptation by Christopher M. Vocatio Center for Life Calling and Career.Office of Student Leadership & Engagement.The story is so popular that there have been at least nine different stage adaptations since 2000 alone including this Frank Wildhorn version. The 2002 film under the same title starring Jim Caviezel, Guy Pearce and Richard Harris uses all of the aforementioned edits and this particular play closely follows the film. Some omit the character Haydee entirely and end with Dantes and Mercedes reunited. In our production Albert is actually the son of Dantes which diverges from the original story. Several versions change major plot points in the original story such as Fernand Mondego being killed in a duel with the Count rather than committing suicide. The first English play adaptations were published in 1868. In 1996, Penguin Classics published a new translation with updated language for modern readers and restoring content that was modified because of Victorian English social restrictions. Through the next century abridgments and revisions produced many versions and editions of Dumas’ story. The first abridged English versions of Monte Cristo were serialized in 1845. The London performances even evoked rioting due to its length. It had a very unsuccessful run because the original production required the performance to be spread over two nights because of its length. There have been numerous adaptations in the form of novels, comics, films, and stage plays ever since the original story was first published.ĭumas himself adapted his own story into plays and the first he opened in his very own theatre, the Theatre Historique in 1848. Monte Cristo is largely considered his greatest and most popular work along with The Three Musketeers. T he Count of Monte Cristo was published in 1844 by French author Alexandre Dumas.
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